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Madonna of Humility Italian Florentine Nashar Musume of Art
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Madonna of Humility
Madonna of Humility
Date:
1375/1400
Artist:
Bolognese Italian
Most this artwork
Status
Currently Off View
Section
Painting and Sculpture of Europe
Creative person
Carlo da Camerino
Title
Madonna of Humility
Place
Italy (Object fabricated in)
Date
1375–1400
Medium
Tempera on console
Inscriptions
ave maria gr[at]ia (around outer border of console), salve regina vergene maria [gratia] plena (around mandorla), VERGENE MATRE [...] GLO (on the Virgin's halo), DEV HOMO R (on Child'southward halo), save regina (on scrolls supporting repeated pelican motif on Virgin's robe).
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Fine art News 27, 10 (December 8, 1928), p. i, sick.
"Famous Art Works Exhibited in Clubhouse," Art in the Union League Club of Chicago: Spousal relationship League Club Bulletin (January 1929), p. seven, ill.
Pantheon 3 (1929), pp. 102, ill, 104.
Daniel Catton Rich, "Two Trecento Venetian Panels," Art Institute of Chicago Bulletin 24, seven (1930), pp. 88–89, cover sick.
The Academy of Chicago, The Renaissance Society, Catalogue of a Loan Exhibition of Religious Art from the Fourth Century to the Nowadays Fourth dimension (1930), no. 33.
The University of Chicago, The Renaissance Society, Anniversary Message (Autumn – Winter 1930), cover sick.
Lionello Venturi, Pitture italiane in America (Milan, 1931), pl. CIV.
William Suida, review of Pitture italiane in America by L. Venturi, in Belvedere x (1931), p. 191, pl. 104.
Millard Meiss, "The Madonna of Humility," Art Bulletin eighteen (1936), p. 441, n. 23; reprinted in Millard Meiss, Painting in Florence and Siena afterwards the Black Death (Princeton, 1951), p. 137 northward. 20.
"The Christmas Story in Art," Art Constitute of Chicago Message 32, vii (1938), p. 105.
Daniel Catton Rich, Catalogue of the Charles H. and Mary F. S. Worcester Drove of Paintings, Sculpture, and Drawings (Chicago, 1938), pp. eight, 6, no. 2, pl. Two.
Luigi Coletti, I primitivi: I padani, vol. 3 (Novara, 1947), pp. XXXIV–XXXVI, LXXIII, pl. 66.
"The Magnificent Worcester Souvenir," Art Constitute of Chicago Bulletin 42 (1948), p. v, ill.
Luigi Coletti, "Sulla Mostra della Pittura Bolognese del Trecento: Con una Coda Polemica," Emporium 112 (1950), pp. 252–54.
William Suida, "Some Bolognese Trecento Paintings in America," Critica d'arte 9, i (1950), p. 58, fig. 62.
Pietro Toesca, Il trecento (Turin, 1951), p. 751 northward. 276.
Dorothy C. Shorr, The Christ Kid in Devotional Images in Italia during the Fourteen Century (New York, 1954), pp. 61, 65, fig. ix.
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), p. 225.
Hans Huth, "Italienische Kunstwerke im Art Institute von Chicago, United states," in Miscellanea Bibliothecae Hertzianae (Munich, 1961), p. 516, fig. 380.
Ferdinando Bologna, I Pittori alla Corte Angioina di Napoli, 1266–1414, due east un Riesame dell'arte nell'età Fidericiana (Rome, 1969), pp. 348–349, pl. VIII-19, fig. 18.
Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Massachusetts, 1972), pp. 216, 346, 571.
Isle. Hecht, "Madonna of Humility," Fine art Institute of Chicago Bulletin lxx (1976), pp. 10–13, fig. 2.
Christopher Lloyd, Italian Paintings before 1600 in the Art Constitute of Chicago: A Catalogue of the Collection (Chicago, 1993), pp. 34–37, sick.
Carl Brandon Strehlke, book review of "Italian Paintings before 1600 in the Fine art Institute of Chicago. A Catalogue of the Collection," Burlington Magazine 136 (1994), pp. 625–26, ill, equally Carlo da Camerino.
Mojír S. Frinta, Punched Decoration on Late Medieval Console and Miniature Painting, (Prague, 1998), pp. 132, 212, no. Fd49, equally Genoese(?) and Camarinese (Carlo da Camerino(?)).
Alessandro Marchi, "Olivuccio di Ciccarello," in Pittori a Camerino nel Quattrocento, Andrea De Marchi, ed., (Milan, 2002), pp. 104, 120, 132–33, no. six, ill, as Olivuccio di Ciccarello.
Francesca Pasut, in The Alana Drove: Newark, Delaware, United states, Italian Paintings from the 13th to 15th Century, Miklós Boskovits et al., vol. ane (Florence, 2009), pp. 154, 156, n. four, as Olivuccio di Ciccarello.
Chicago, The Union League Club, 1928 (no true cat.).
The Academy of Chicago, The Renaissance Society, Religious Fine art from the Fourth Century to the Present Time, 1930, no. 33, every bit Jacobello di Bonomo.
The Fine art Institute of Chicago, A Century of Progress, 1933, no. 86, as Jacobello di Bonomo (?).
The Fine art Institute of Chicago, The Christmas Story in Fine art, 1938–39 (no true cat.).
Count Ambroz-Migazzy, Sarvar, Hungary [according to Daniel Catton Rich, Catalogue of the Charles H. and Mary F. S. Worcester Collection of Paintings, Sculpture, and Drawings, 1938]. E. and A. Silberman Galleries, New York [co-ordinate to receipt dated November 21, 1928, in curatorial files]; Sold past Silberman to Charles H. Worcester, Chicago, 1928, [according to receipt dated November 21, 1928, in curatorial files]; given to the Art Establish, 1947.
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